• DIGITAL COLLAGE by Johanna Goodman

All images ©Johanna Goodman 2019 Ornette Coleman on a Cloudy Day

All images ©Johanna Goodman 2019 Scenes From a Pandemic: Dream of Post-Vaccine in Technicolor

All images ©Johanna Goodman 2019 Scenes From a Pandemic: At Home At Home

All images ©Johanna Goodman 2019 Scenes from a Pandemic: Dreaming of Dressing-up and seeing Girlfriends

All images ©Johanna Goodman 2019 "QUIET"

All images ©Johanna Goodman 2019 Scenes From a Pandemic: The Big Wait

All images ©Johanna Goodman 2019 Scenes From a Pandemic: Dream of Post-Vaccine

All images ©Johanna Goodman 2019 2020 Skateboard collaboration with Habitat Skateboards

All images ©Johanna Goodman 2019

All images ©Johanna Goodman 2019 "WOMANIZER" FOR THE L.A. TIMES"

All images ©Johanna Goodman 2019 The End of Endings for They New York Times. The age of the sequel is over. Now is the age of the sequel to the sequel...

All images ©Johanna Goodman 2019 For The Washington Post: Elevator music: All too easy listening The music industry sells classical as soothing background music — robbing a great art of its power.

All images ©Johanna Goodman 2019 For the cover of the New York Times Arts section: A Fertile Time For Swindlers. Critic’s notebook by Amanda Hess about “big-time millennial grifters”

All images ©Johanna Goodman 2019 Scenes From a Pandemic: Indoor Contemplation.

All images ©Johanna Goodman 2019 For the LA Times LA Affairs section about trying to decipher when you’re on a date or networking in LA

All images ©Johanna Goodman 2019 Gender and race issues are slowly fading as more filmmakers consider three key tests. For The Los Angeles Times

All images ©Johanna Goodman 2019 Dating in LA for The Los Angeles Times

All images ©Johanna Goodman 2019 "DATING A FEMINIST" FOR THE WASHINGTON POST

All images ©Johanna Goodman 2019 Cover Illustration for critic’s notebook in The New York Times Arts section: Are Animals Getting Better at Acting? Naturalistic pet performers in recent movies are making Toto look like a hack.

All images ©Johanna Goodman 2019 Covid and Conspiracy: "For sure, we will argue at Christmas" for Libération, France.

All images ©Johanna Goodman 2019 National Geographic opening spread for "100 Years of Suffrage" multipage feature

All images ©Johanna Goodman 2019 National Geographic fold-out portraits for "100 Years of Suffrage"

All images ©Johanna Goodman 2019 "UNFAIR PRICING FOR WOMEN" FOR CAUSETTE MAGAZINE

All images ©Johanna Goodman 2019 Vote Biden Harris 2020!

All images ©Johanna Goodman 2019 Ready For Hillary for Bust Magazine

All images ©Johanna Goodman 2019 For the New York Times Op-Ed: Abdicating, Again on Climate

All images ©Johanna Goodman 2019 "SUBTLE METAPHOR"

All images ©Johanna Goodman 2019 The Political Power of Black Motherhood, an animation of my collages to accompany interview with Dani Mcclain for Topic Magazine's animated Topic Stories series.

All images ©Johanna Goodman 2019 "SHOOTING STAR"

All images ©Johanna Goodman 2019 Los Angeles Times, a woman starts feeling attracted to the owner of her sublet

All images ©Johanna Goodman 2019 Spring Arts and Entertainment guide cover, Washington City Paper

All images ©Johanna Goodman 2019 "DISAPPEARING FROG SPECIES" FOR ONEARTH MAGAZINE

All images ©Johanna Goodman 2019 I watched the sun set on my Sunset Boulevard romance" for The Los Angeles Times

All images ©Johanna Goodman 2019 70th Anniversary commemorative Poster for The Sidney Hillman Foundation, the esteemed charitable foundation that awards prizes for excellence in socially conscious journalism.

All images ©Johanna Goodman 2019 We Are Not the Resistance, The New York Times Sunday Review

All images ©Johanna Goodman 2019 The VVA Veteran Magazine

All images ©Johanna Goodman 2019 For The Los Angeles Times: A vintner’s horror movie nightmare: The smoke is coming from inside the grapes. About the effect of the California wildfires on wine grapes.