As a teenager in rural Washington, Molly Landreth first explored photography as an attempt to weave the personal with the political from behind and in front of the lens. She continues to use the intimacy of film cameras to emphasize the unique beauty of her subjects, and to push social expectations of gender and sexuality. Her largest project to date, “Embodiment: A Portrait of Queer Life in America” garnered national press, and received support from the Robert Giard Memorial Fellowship, 4Culture, and Artist Trust. Landreth’s work has been exhibited widely, including The Brighton Photo Biennial, Seattle Art Museum Gallery, and the Camera Club New York. She has been featured in, and photographed for, The New York Times, Le Monde, The Guardian, Time Magazine, Newsweek, The Advocate, OUT, Marie Claire and The New Yorker among others. She is on the faculty at Photographic Center Northwest.